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  • Come Back to the Farm is a collection of sixteen stories which reflect Appalachia at its essence; most often they are gentle in tone, but they portray the pioneer spirit, the self-reliance, and the humor of the hill people of Stuart's Kentucky homeland. HARDBACK By Jesse Stuart
  • Jesse Stuart and Joe Clark's photographic essay of the town Lynchburg, located where the Blue Grass country meets the Cumberland Mountains of Tennessee. Known for the Jack Daniels distillery, the townspeople are loyal to their employer and to each other. But they are also "close-to-the-land" people who farm, raise livestock, and enjoy diversions which have nothing at all to do with the distillery. For the most part, it is their lives outside of working hours that Clark and Stuart have chosen to reflect. Photographs by Joe Clark Foreword by Jesse Stuart
  • Originally published in 1934, this book was so successful that the first printing of the first edition sold out in less than a month! Man With a Bull-Tongue Plow is a collection of sonnets that Stuart weaves into a personal narrative describing the rural Kentucky life and events he knew so well. Packed with emotion, and sometimes harsh observations, the poetry in this book comes from the heart of a young man who was always full of enthusiasm. At this stage of his life, Jesse Stuart was bursting with pure expression and had not yet learned to polish his poetry in an effort to make it more palatable to a broader audience and Interestingly, that's exactly what made this volume so popular. It was nominated for a Pulitzer Prize and selected as both One of the 100 Best Books in America and One of the1000 Great Books of the World. An introduction by John H. Spurlock adds context and insight to Stuart's writing. HARDCOVER By Jesse Stuart
  • Originally published in 1940, Stuart's first novel introduced his reader to one of the most unforgettable characters of American literature — Boliver Tussie, the hard-drinking, happy-go-lucky squatter who works just enough to get by. By Jesse Stuart
  • A biography of Jesse's father, Mitchell Stuart - a rural man who could not read or write. But Mick Stuart had learned the important things in life from the hills around him. He began his work before daylight, and stopped only when his family, his farm, and his animals were cared for. Jesse Stuart tells how his father taught him the unalterable values of right and wrong, love of family, and love of education. By Jesse Stuart
  • This nature novel, by following the hatching and lifetime experiences of the last know wild passenger pigeon, chronicles the life, natural history, and ultimate extinction of this species which was once the most abundant bird species in North America. The last wild bird was killed in 1900; the last captive bird died in 1914. By Allan Eckert  
  • The protagonist of this novel is heroic, majestic, a born leader, a devoted husband and proud father. He is destined to be long remembered by whoever reads about his life. He is a great auk. By Allan Eckert
  • Greenup County, bordering the Ohio River in northeastern Kentucky, is rich in history and culture. Settlers first arrived in the mid-1700s and carved farms from hardwood forests. Lucy Virgin Downs, the first white child born west of the Alleghenies, lived in Greenup County, as did Jesse Boone, brother of Kentucky icon Daniel Boone. The 20th century brought industrialization and economic diversification to the historically agricultural area. Ashland Oil, a Fortune 500 company, maintained corporate headquarters in Greenup County. Two steel mills, a large rail yard, an excellent hospital, and a number of surface mines also provided employment to many people who continued to work their family farms, too. This economic progress was mirrored in every aspect of country life as education, health care, and recreation all improved dramatically. Today Greenup County’s history is appreciated by both longtime residence and cultural tourists. James M. Gifford serves as chief executive and senior editor of the Jesse Stuart Foundation, a regional publishing house. Dr. Gifford’s coauthors, Anthony and Suzanna Stephens, are eastern Kentuckians. The authors gathered photographs from dozens of personal and library collections.
    SOFTBACK By James M. Gifford, Anthony and Suzanna Stephens
  • Jesse Stuart was a paradox. For a period of his life, Jesse slept with a loaded gun under his pillow, yet he also carried a typewriter with him wherever he went. He courted woman with mud on his boots and pistols on his hips, but he had wildflowers in his hands and envelops completely covered with chicken-scratched poems in his pockets. He was petty yet often kind, mean-spirited but truly helpful to beginning writers, clannish yet hospitable to visitors HARDBACK By James M. Gifford
  • Goodbye Kate, Billy C. Clark’s sixth novel, is based in part on a mule he once owned. In the novel, Kate is found far back in the hills by a lonely country boy named Isaac Warfield. He lives close enough to Tatesburg, the nearest town, to walk to school there, but it’s a small town, and his home is isolated. Isaac has graduated from the little country school he has attended and the other members of his class will be moving on to another school, or to no school at all. He won’t have much contact with his friends anymore, and the nearest neighbor, a money-hungry man named Simm Johns, has no children and is “mean as a striped snake.” Isaac finds Kate when he goes back into the hills to pick some blackberries for his mother. The little mule is apparently as lonely as Isaac is, and she adopts him and follows him home – as far as the pine grove above the house, that is. By Billy C. Clark
  • In 1963, Harry M. Caudill published his now classic account of the reckless, deliberate despoliation of the Appalachian Plateau, Night Comes to the Cumberlands. Thirteen years later, in The Watches of the Night, Caudill continued the heartbreaking story of an incredibly rich land inhabited by a grindingly poor people whose problems, despite state and local aid and an unprecedented boom in coal, had worsened: the land was being stripped more rapidly than ever; the people’s traditional relationship with the land was being uprooted, and their old customs eliminated by standardization Both a narrative history and a polemic against greed and waste, The Watches of the Night hammers at “the profligacy growing out of the persistent myth of superabundance.” The author ponders an even darker future if the cycle of boom and bust is not broken. He writes: “Americans have never understood or respected the finely textured, little-hill terrain of the Cumberland Plateau.” Neither the farmers nor the miners who followed the early pioneers saw it as a place cherish. Through decades that have lengthened to nearly two centuries the land has fought back, sometimes with savage floods and always with persistent efforts to reforest. “But now times runs out and our “inexhaustible” resources have turned finite….The Kentucky Cumberlands are many things, but most of all they are a warning.” By Harry M. Caudill

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