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First published in 1949, Jesse Stuart's now classic personal account of his twenty years of teaching in the mountain region of Kentucky has enchanted and inspired generations of students and teachers. With eloquence and wit, Stuart traces his twenty-year career in education, which began, when he was only seventeen years old, with teaching grades one through eight in a one-room schoolhouse. Before long Stuart was on a path that made him principal and finally superintendent of city and county schools. The road was not smooth, however, and Stuart faced many challenges, from students who were considerably older — and bigger — than he to well-meaning but distrustful parents, uncooperative administrators and, most daunting, his own fear of failure. Through it all, Stuart never lost his abiding faith in the power of education. A graceful ode to what he considered the greatest profession there is, Jesse Stuart's The Thread That Runs So True is timeless proof that "good teaching is forever and the teacher is immortal." By Jesse Stuart -
Stuart's autobiographical account of much of his educational career. This great Kentucky novelist, short story writer, poet, and teacher writes about his boyhood, his elementary school and high school experiences, and his days at Lincoln Memorial University. He tells of teaching in a one room rural schoolhouse, his experiences as a county school superintendent, and his stay as a teacher at American University in Cairo, Egypt. He explains what classroom methods worked best, and why, and speculates on what has gone wrong with American schools. By Jesse Stuart -
Originally published in 1940, Stuart's first novel introduced his reader to one of the most unforgettable characters of American literature — Boliver Tussie, the hard-drinking, happy-go-lucky squatter who works just enough to get by. By Jesse Stuart -
Jesse Stuart and Joe Clark's photographic essay of the town Lynchburg, located where the Blue Grass country meets the Cumberland Mountains of Tennessee. Known for the Jack Daniels distillery, the townspeople are loyal to their employer and to each other. But they are also "close-to-the-land" people who farm, raise livestock, and enjoy diversions which have nothing at all to do with the distillery. For the most part, it is their lives outside of working hours that Clark and Stuart have chosen to reflect. Photographs by Joe Clark Foreword by Jesse Stuart
